Monday, July 20, 2009

Monday night (yes, Monday): JC&BFoL, Nathan Moore, Tyler Despres @ Walnut Room


Hellooooo,

We had such a great time playing at the Denver Post Underground Music Showcase this past weekend! We played three shows and had a blast at every one of them. Visit my blog (www.hitrecordandplay.blog
spot.com) to see some lofi videos that I made.

JC&BFoL SHOWS THIS COMING WEEK!
We are playing an EARLY SHOW this coming Monday night, August 3rd, with the full band at the Walnut Room. I you hope can come -- Nathan Moore is a great writer. And Tyler Despres and Adam Exra aint too shabby either. We'll be playing with the full band that night. Here's the schedule for the night:

10:00 - 11:00 John Common & Blinding Flashes of Light
8:40 - 9:40 Nathan Moore
7:45 - 8:30 Tyler Despres
7:00 - 7:35 Adam Ezra

Two days later on Wed, August 5th, Jess and I are opening for David Lindley of Jackson Browne fame. He's kind of a legend. Google him. Come check that out for a different kind of show.

Love ya,

John
johncommon.com
twitter.com/johncommon
facebook.com/jcommon
myspace.com/johncommon
hitrecordandplay.blogspot.com

============
SHOW DETAILS
============

Mon, Aug 3 2009 7:00PM - EARLY SHOW
John Common and Blinding Flashes of Light
at Walnut Room with Nathan Moore, Tyler Despres, Adam Ezra
3131 Walnut Street
Denver, CO 80205
21+ / $10

Wed, Aug, 5 2009 7:00PM
John Common & Jess De Nicola
at Soiled Dove
Opening for David Lindley
(of Jackson Browne fame)
Denver, Colorado
21+ / $15

Thursday, July 09, 2009

Production notes for one instrument on one song

Some times, making a record is just about hanging a microphone in a room, inviting in some friends and hitting record... Mostly it's not though.

Here is an example of the kind of detail we've put in to the new record -- these notes are for one instrument (cello), on one song (Turnaround).

intro
- i'll need to hear this against the organ/rhodes stuff. it'll probably work

verse 1
- i'll probably use all / some of this

chorus 1
- fucking gorgeous.
- check tuning

verse 2
- give it to me, probably too busy - fights the vocal often, but i might grab a phrase or two.

chorus 2
- fucking utterly lovely
- check tuning

bridge A
- honestly, i think these ideas are the ones we should go with. the tuning, timing and specific note choice of some of the "connecting phrases" just need to be improved/tightened.
- seriously, this general approach is gonna work! we just need to commit to it.
- on the chop parts - i hear two cellos doing really tight / tempo-locked harmony chops - with the note(s) you currently have. just thicken it.
- the "connective phrases" between the chops sound out of tune and maybe a bit to obvious / "i'm an orchestra guy". having said that, I don't think they need to be "weird / out there". I'd go for subtle harmonic color, actually. don't feel like you have to do the heavy lifting - let the vocals do that.

bridge B (speak up, hold on, walk away)
- love the pizz

solo
- heart breaking
- love the top notes in the 2nd half
- don't change a god damned thing

verse 3 - empty / quiet verse
- yes. nothing here.

verse 4 - building verse
- this feels like 10 pounds of cello in a 5 pound bag. BUT - give me them all and I'll pick the ones that work with the organ/rhodes tracks. you're fine.

final chorus(es)
- lovely.

descent into outro
- god damn -- gorgeous

outro
- yup. you're done. i might do some trimming / slimming, but it's all there.

churchy final outro
- lovely
- some of the notes need to be more in tune



John Common
-------------------------------------------------------
email | letters@johncommon.com
web | johncommon.com
blog | hitrecordandplay.blogspot.com
facebook | facebook.com/jcommon
twitter | twitter.com/johncommon

Monday, July 06, 2009

Remote recording.

My friend Evan sent me this, thinking I'd like it. He was right.

Reice Hamel, in 1960, at the Hungry I in San Francisco. This is the uncle of bassist Edo Castro... He was one of the pioneers of remote recording. He built his own portable mixers when none existed and also created other mic'ing techniques for recording live.

Sunday, July 05, 2009

So many cool things to tell you... Grab a cup of coffee.


Hey Summer Squash,

Sorry I've been incommunicado lately. We've been sequestered in the studio wrapping up our new record. And man... I think you're gonna like it. I hope you're gonna like it. I've never made a record like this. It's orchestral and patient and quiet and lush and layered and very, very real. And it has a name: Beautiful Empty.

We'll be releasing it this fall (late September). But you can come get a sneak listen to it on Saturday, July 18 at an incredibly cool event called the Common Box Project at Abecedarian Gallery in Denver. It's an entire art exhibit of assemblage/box art made by 60+ different visual artists -- each box was inspired from a song from our new record, Beautiful Empty. I've seen some of them boxes -- they're amazing. I want to especially thank my dear friend Alicia Bailey (owner/founder of Abecedarian) and her right hand, Ella Trujillo for the LARGE amount of work that's gone into this exhibit. Details are here and below. Check out all the artists' websites -- you'll be blown away.

Also: we're putting together a Short Film Festival in conjunction with the release for Beautiful Empty! Are you an indie filmmaker? Know any filmmakers? It's like the box project, but with FILM -- and it's open to anyone who makes art with film. Read all about it here:

http://hitrecordandplay.blogspot.com/2009/07/looking-for-filmmakers-short-film.html

We're doing some really cool things in the next couple of weeks:
- An outoor show this Wednesday sponsored by Swallow Hill (full band)
- A duo set (me and Jess) at a benefit at Meadowlark for Flobots.org
- I'll be speaking at Action Figures (Katie Taft is Denver's Terry Gross and Action Figures is her Fresh Air)
- The Common Box Project / Sneak CD Listening Party
- And then several appearances at the Denver Post Underground Music Showcase. All the details are below.

Cant' wait to see you at any or all of them!

Love,

John
johncommon.com
twitter.com/johncommon
facebook.com/jcommon
myspace.com/johncommon
hitrecordandplay.blogspot.com

---------------------------
Upcoming Events
---------------------------

Wed, Jul 8 2009 6:00PM
John Common and Blinding Flashes of Light
Swallow Hill's Outdoor Concert Series
at Four Mile Historic Park
with Jen Korte
715 S.Forest Street
Denver, Colorado 80246
seating: gen admission
all ages, non smoking

Sat, Jul 11 2009 9:00PM
John Common & Jess De Nicola
at Meadowlark
Benefit for Flobots.org
2701 Larimer St
Denver, Colorado

Tue, Jul 14 2009 7:00PM
Action Figures Series
with John Common
at Abecedarian Gallery
910 Santa Fe, #101
Denver, CO 80204
www.myspace.com/selfmadedenver

Sat, Jul 18 2009 7:00-10:00PM
Common Box Project Exhibition
and CD Listening Party Denver
60+ Works inspired by new recordings from John Common & Blinding Flashes of Light
910 Santa Fe, #101
Denver, CO 80204

Thu, Jul 23 2009 7:30PM
John Common
Denver Post Underground Music Showcase
at Michaelangelo's
1 Broadway
Denver, CO 80203

Fri, Jul 24 2009 10:00PM
John Common
Denver Post UMS - Sketch Wine Bar Denver

Sat, Jul 25 2009 3:30PM
John Common & Blinding Flashes of Light
Denver Post Underground Music Showcase
at CarToys Outdoor Stage
Denver, Colorado

Mon, Aug 3 2009 7:00PM
John Common and Blinding Flashes of Light
at Walnut Room
with Nathan Moore and Tyler Despres
3131 Walnut Street
Denver, CO 80205

Fri, Aug 21 2009 7:00-8:30PM
Parfet Park
Downtown Golden, CO
(10th Street and Washington)
We play then there's a movie in the park
All ages

Friday, July 03, 2009

Looking for Filmmakers - Beautiful Empty: Music+Short Film Conspiracy


BEAUTIFUL EMPTY
A CD Release Show +
Short Film Conspiracy + Box Art Exhibi + Written Word

THE BASIC IDEA
• A non-competitive short film festival inside of a CD release show and box art exhibit all inspired by the upcoming new record, named Beautiful Empty, from John Common & Blinding Flashes of Light to happen in Denver, CO
• Filmmakers from all backgrounds, skill levels, and artistic points of view are invited to make a short film inspired by a song from the new JC&BFoL record
• Filmmakers would pick a song from the new record (it will be made available to hear -- confidentially) to use in their work
• The goals are simple: creative collaboration, cross-pollination (of music, film, visual art and written word communities) and throwing a beautiful, memorable, one-of-a-kind event

PROJECT GUIDELINES
Great art often comes from constraint... Here are the guidelines that filmmakers should stay in during this project:
• COST: Free - no submissions fees
• DEADLINE for submission: September 15th, 2009
• QUICK AND DIRTY: This doesn't have to be your Citizen Kane! Creativity trumps perfection here. So with that in mind, think 3 X 24 = you have a 24-hour period to shoot. You have a 24-hour period to edit. You have a final 24-hour period to actually finish editing.
• VOLUNTEER ARMY: No paid actors, editors, directors, gaffers, craft service providers, bookies, Columbian drug lords, gun dealers, etc.
• LENGTH: your finished short film must be less than 4 minutes in length.
• INSPIRATION: must pick a single song from the new JC&BFoL record as your inspiration. Beyond that, you are free to take it anywhere you want to.
• SONG: Must state the song you chose at the beginning of the film
• INTRODUCTION: A representative of the film will introduce their short film the night of the show, tell a story about the making of it, talk about the inspiration or vision for the piece, etc.
• SONG AUDIO: the song’s audio should be incorporated into the short film somehow – it doesn’t have to be a “music video” but the music of the song should play a role in the movie somehow
• ONE CAMERA: the film must be shot with a single camera
• RIGHTS: Filmmaker retains all rights to their film – but the JC&BFoL would love to be able to use online versions to help promote the project, filmmaker, band, etc. – cross pollination! JC&BFoL retains all rights to their music.
• Up to 6 short films will be screened the night of the CD release, however all submissions will receive promotion and screening online at www.johncommon.com.

IF YOU ARE INTERESTED OR KNOW SOMEONE WHO IS INTERESTED
Send an email or call BEAUTIFUL EMPTY's Festival Director, Darci Alishouse dalishouse@gmail.com and/or (720) 298-5747 we'll get you a top secret link to inspiration and other materials.


ABOUT JOHN COMMON & BLINDING FLASHES OF LIGHT

John Common sometimes wishes he were a filmmaker or a painter, but due to a run-in with his older brother's record collection at an impressionable age, he ended up with an obsession for making music instead. He's constantly writing songs... they range from raucous and snarly, to beautiful and introspective.

John plays with an incredibly talented group of musicians, artists and friends, drawn from Colorado’s indie music scene: Jess De Nicola Mefford (voice), Wes Michaels (cello, saxophone), Carl Sorensen (drums), Jimmy Stofer (bass, vocals) and Jon Wirtz (keys). They are that unique kind of band where each player is a genuinely talented artist in their own right, but when they play together something extra happens. Something larger.

John Common & Blinding Flashes of Light are currently in the studio finishing a new record slated for release in late September 2009. Beware: the new record will cause short films to spontaneously appear in your head with its lush arrangements, gorgeous harmonies and cinematic lyrics. It’s music that can pin you to the wall, break your heart, or just send you off thinking for a while. Visit www.johncommon.com for more information.

PRESS
2009 Lyons Folks Festival Finalist
2009 Westword Nominate Best Pop Artist
2009 Denver Music Scene Top 10 Songwriters
2008 Telluride Troubadour Finalist
2008 Westword Nominated Best Singer/Songwriter
2007 Lyons Folks Festival Finalist
2007 Mover and Shaker / Best Local Release -- Westword
2007 Best Local Release -- The Denver Post
2006 Most Intriguing Discs - The Onion
2006 Westword Nominated Best Singer/Songwriter

"Hard to classify, John Common plays a brand of upbeat indie rock that makes use of a wide array of instruments from trumpets to xylophones. His band Blinding Flashes of Light is comprised of several talented musicians culled from the vibrant Colorado indie scene who provide the backdrop to his insightful and powerful lyrics." -- DENVER METROMIX

"A brilliant, extremely ambitious disc... Denver's finest rock recording of the past decade." -- WESTWORD MAGAZINE (Good To Be Born)

"Why Birds Fly is even more uncommon than its acclaimed 2006 predecessor...the aural environment Common creates is so sumptuous that it rewards repeated listens even as it confounds expectations." -- WESTWORD MAGAZINE (Why Birds Fly)

"It may seem difficult to imagine a guy named John Common living a highly individual life, but believe it... his creative curiosity and detail-oriented aesthetic distinguish him from the drooling pack of earnest singer-songwriters." -- DENVER POST

"Raw, yet sophisticated pop." -- THE ONION

"Every aspect of Common's squirrely melodic sensibilities and unerringly tight playing and production are featured here." -- THE DENVER POST

"Common has achieved the musical equivalent of picking up seven tiles in a game of Scrabble and being able to lay down “bezique” on the first turn. " -- FIVE MAGAZINE, TAOS, NEW MEXICO

"Common writes a great song just about every day... 'Good To Be Born' is a Matthew Sweet-meets-Queen rock opus filled with catchy songs and layers of clever vocals... Damn him." -- 5280 MAGAZINE

"There are songs that make me want to drink till morning you see... Songs that make me wish I'd somehow gone home with that handsome stranger who smiled when I looked up from my book... Songs that make me want to be loud and messy and get into lots of trouble, when normally I am quiet and neat and only get into medium amounts of trouble... Songs I've caught myself putting on repeat when it's 2 am and I have to wake up at 6..."
-- A GIRL

Wednesday, July 01, 2009

Why I Like My Friend Julie

An excerpt from our Facebook status tete-a-tete:



be my friend on facebook :: facebook.com/jcommon
i'm learning to twitter :: twitter.com/johncommon
shall we myspace :: myspace.com/johncommon

Sunday, June 28, 2009

DETAILS: Box Project Exhibition and Listening Party

JOHN COMMON, ABECARDIAN GALLERY AND 65 ARTISTS FROM ACROSS THE COUNTRY COLLABORATE IN “THE COMMON BOX PROJECT”

June 22, 2009, Denver, CO – Abecedarian Gallery director Alicia Bailey and Denver-based independent recording artist John Common (www.johncommon.com) share a belief that art forms benefit from overlap, and that collaborative efforts usually have rewarding and exciting outcome. That belief is the basis for the Common Box Project.

Here’s the general idea: Invite 60+ artists from across North America, send them each a simple wooden box, along with the nuts and bolts of a new record by an indie songwriter and then mix it all together in a beautiful collaboration called the Common Box Project -- a mixed media collaboration with artists of all types to create unique pieces of assemblage box art that are inspired and/or informed by the new record by John Common & Blinding Flashes of Light – due to be released this fall.

Each box, measuring about 7x7x5, has a recessed area in the back that will hold a copy of John’s new record. Buying a box will be the only way to get an early copy of John’s new record as regular distribution won’t start until later this year. A limited number of copies will also be available with purchase of a work on paper in support of the Abecedarian Student Scholarship Fund.

The exhibition opens Thursday, July 9 at 1pm and continues through the close of the CD Listening Party July 18 at 10pm.

Learn more about the project at: http://commonboxproject.blogspot.com
EXHIBITION DETAILS

Exhibition: The Common Box Project
Exhibit Dates: July 9 - July 18, 2009
Exhibit Events:
July 14: Abecedarian Gallery hosts Action Figures (formerly Self-Made) with guest John Common, 7-9pm
July 17: Exhibit open during Arts District on Santa Fe’s Preview Night, til 8pm
>>>July 18: Listening Party - New recordings by John Common & Blinding Flashes of Light, 7-10pm
Gallery Location: 910 Santa Fe, #101, Denver, CO 80204 (at the north end of the 910 Arts building)
Gallery Hours: Thursday, Friday, Saturday 1-5. 1st & 3rd Fridays 1-8
Contact: Alicia Bailey - alicia@abecedariangallery.com, 303.340.2110 or 720.282.4052
John Common - letters@johncommon.com, 303-520-4842
BOX ARTISTS

Some of the notable Common Boxers with national reputations include Tennessee sculptor Dolph Smith, paper artists Betsy Dollar (Minneapolis) and Helen Hiebert (Portland, OR), and painters Kelly Kievet and Kimberly MacArthur-Graham. Although there are boxes coming in from all over the United States (and two from Canada), many regional favorites (Dave Seiler, Penney Bidwell, Maura Grimzinski, Annalee Schorr, Kathleen Sherman, Joan MacDonald, Claudia Roulier and Rik Sargent) are part of the project. Alicia Bailey has a national reputation as book artist and curator so a heavy emphasis on book artists is inevitable. In addition to Alicia, book artists contributing to the project include Mia Semingson, Amy Leepard, Rutherford Witthus, Suzanne Vilmain, Mary Powers Torrey, MaryAnne Riker, Jana Brubaker, Gail Smuda and Jill Berry. It seems particularly fitting that luthier (maker of stringed instruments) Randy Arnold, is also participating.

The full list of artists can be found at the project blog: http://commonboxproject.blogspot.com

Friday, June 26, 2009

stupid poem

following poets

I fell in love to brautigan.
I fell in love to frost.
even chuck bukowski
and thought nothing of the cost.

I fell in love to whitman
creeley, cohen and nin.
I fell in love to rumi;
he nearly did me in.

now I'm more suspicious.
see, poets love their pain.
if you follow their example
you'll start to really hate poetry.

Thursday, June 25, 2009

Blog panel this Monday, 8PM at Forest Room 5 in Denver

Blog as Self-Portrait, brought to you by the Mizel Museum.

Date:
Monday, June 29, 2009
Time:
8:00pm - 10:00pm
Location:
Forest Room 5 Bar and Restaurant
Street:
2532 15th St
City/Town:
Denver, CO
Cost: $5

More info:
http://www.facebook.com/home.php#/event.php?eid=115843811627&ref=nf

I think it's funny and great and mildly embarrassing that I was asked to be a part of this. Oh... not mildly embarrassing... It's just that I tend to write these little bloggety blog things in a total vacuum. So it's always discomforting to find that someone is reading. And that's the truth.

It'll be fun though. A bunch of really smart, funny, sharp people are on the panel. Come!

Tuesday, June 23, 2009

Halfway There

I bought a juicer recently... a Breville Juice Fountain. I call her Breville. (pronounced "breh-VEE-luh") That is her name.

Here she is. There are many like her, but this one is mine:


This purchase was part of my new "John, Stop using the 'I'm making a record right now, and that's why I've completely fallen off the health wagon' excuse, and start taking better care of yourself" campaign. So far, it's going pretty well.

And yet... I'm finding this get-back-in-shape thing is a process. And here is an example:

Yesterday after a sweaty hour and a half bike ride, I stood in my kitchen and proudly juiced up a cucumber, celery and ginger concoction. I poured the gorgeously fresh, bright emerald elixir over several ice cubes in a tall glass. I took a sip and thought to myself "Wow. This would be amazing with vodka... and a cigarette."

I need to go for a run or something.



...

JOHN'S JUICER ADVERTISEMENT: Ever made your own vegetable juice? It's pretty frickin' great. I mean... significantly better than I thought it would be. Frankly, I just expected that all of those carrots and cucumbers and celery and ginger and etc. would taste like carrots, cucumbers, celery, ginger and etc. And they do. But something semi-magical happens somewhere between the refrigerator the cup. Some magical happens when all of those vegetables get utterly obliterated by those spinning blades. Turns out that cucumber juice tastes...
different from a cucumber. I'm still trying to understand this; it's odd.

Saturday, June 20, 2009

Common Box Project In Other Towns?

There seems to be interest... and frankly, I think it would be so cool to collaborate and get to know more artists.

http://commonboxproject.blogspot.com/2009/06/wanna-do-box-project-in-your-town.html

What do you think?

Thursday, June 04, 2009

kung fu

My older brother used to watch the T.V, show, Kung Fu, and try to understand its deepest meanings. I think he even tried walking across rice paper without tearing it, once. It was butcher paper and much more resilient. See ya around, David Carradine.

Friday, April 24, 2009

I still like this song...

carousel

climb aboard baby
I might be chipped but I've been around
if is this your first ride
well you couldn't have picked a gentler mount

round and round we go
a spiral never ending
and where it stops, we do not know
that's what we're saying

this circle we're traveling
this carnival calliope of circumstance
you're holding cotton candy
wet, wet sugary lips

round and round we go
barely touching, shallow breathing
round and round we go
that's where we're staying

oh no
don't cry for the time you've wasted
don't cry for the things you're losing
don't cry... we all know you dear
love lives inside you like a cancer cell
you're really crying for the carousel

the carousel is weeping
for the horses all locked inside
pierced by these posts of need
and ridden into the night

round and round we go
a spiral never ending
and where it stops, we always know
an old world ending…
and where it stops, we always know
an old world ending…

oh no
don't cry for the time you've wasted
don't cry for the things you're losing
don't cry... we all know you dear
love lives inside you like a cancer cell
you're really crying for the carousel

Wednesday, April 15, 2009

today

THINGS I LIKE TODAY: long walks off short piers, large print book clubs, unintended double entendres, writing my dreams down, starting things, silent H's, romantic strolls through auto junkyards, big ideas, elaborate solutions for nonexistent problems, not shaving, over-using the ellipsis...

THINGS I DISLIKE TODAY: my ceaseless inner dialogue, words that aren't words such as 'irregardless', my bum left ankle, wind-blown sand in my eye.

AND NOW, A STORY: When I was a little kid, I always wore a six shooter on my hip, in a holster. I was watchin' out for the neighborhood. I meant no harm... misunderstood sheriff. I wore the gun well past the point that it was cute. Some call that obsession. I call that commitment.

Tuesday, April 14, 2009

Mediating the interior and the exterior.

I've been thinking a lot about how art, any art, is a BYPRODUCT of the artist's process. (I know, Duh) And... how the process IS THE POINT.

And how a piece of art is actually, to be more specific, the byproduct of an artist trying to negotiate or mediate the discrepancies between his/her INTERNAL WORLD and his/her EXTERNAL WORLD.

And when you hear or see a piece of art, you're seeing an artist's conscious and/or unconscious attempt at trying to make those two worlds reconcile... or make sense... or meet....

And how some artists use their art to make their external world match their interior world... almost an imposition... or an attempt at re-casting their external environment.

And how other artists do the opposite...

And how I tend to like art made by the former and not the latter...

Sunday, April 05, 2009

New song about the family car

I woke up today and wrote this song about the family car during my formative years....

orange volvo
april 4, 2009

I grew up in a volvo
it wasn't one of those
an orange station wagon
that my father chose
chosen for its safety
chosen for its size
they put me in the way back
I never realized

mom and dad and brothers and me
driving down the road like a family

orange volvo
facing toward the rear
watching things pass by me
was my new career
orange volvo
I never did get hurt
but I think I know how I became
a grumpy introvert

we drove to pennsylvania
in that orange tank
my daddy found a job there
south of harvey's lake
no one likes the new kids
my brothers got real stoned
I stayed in the basement
playing legos all alone

mom and dad and brothers and me
driving down the road like a family

orange volvo
facing toward the rear
I see that little boy still
in the rear view mirror
orange volvo
I never did get hurt
I think I know how I became
a grumpy introvert

funny what leaves an impression
on a boy of seven or eight...
a swedish station wagon
built like an iron crate

(rip snortin' solo)

orange volvo
facing toward the rear
watching things pass by me
was my new career
orange volvo
I never did get hurt
but I think I know how I became
a grumpy introvert

mom and dad and brothers and me
driving down the road like a family

orange volvo
facing toward the rear
I see that little boy still
in the rear view mirror
orange volvo
I never did get hurt
but I think I know how I became
a grumpy introvert
I think I know how I became
a grumpy introvert

orange volvo...
orange volvo...

Wednesday, March 04, 2009

...

you're a flame, you're on fire
when will you learn
not love love things that burn?
everything you touch turns to fire

Thursday, January 22, 2009

PKO Tryout Tape

The PKO's getting some ink!

Shawna Bowler, proud PKO member, is shining some light on this thing we call kazoo. Dig the link:

http://www.examiner.com/x-2617-Denver-Singles-Scene-Examiner


See you this Wednesday! Email me if you have any questions (letters@johncommon.com).

~John